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100 Cult Films – Screen Guides

Posted by Notcot on Dec 7, 2012 in Cult Film
100 Cult Films - Screen Guides

i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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100 Cult Films – Screen Guides

Posted by Notcot on Dec 6, 2012 in Cult Film
100 Cult Films - Screen Guides

i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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100 Cult Films – Screen Guides

Posted by Notcot on Dec 5, 2012 in Cult Film
100 Cult Films - Screen Guides

i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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Bike SpokeLit

Posted by Notcot on Aug 26, 2012 in Gadgets
Bike SpokeLit

Because we’re all such environmentally friendly and health-conscious sorts (why are you looking at us like that?) cycling about the place is second nature. The resulting safety implications particularly visibility are an important consideration as anyone who’s nearly been squished between two London buses will tell you. The SpokeLit bike light is a fantastic and simple way to ensure you don’t get knocked off (not in the mafia way obviously). All you have to do is clip the SpokeLit to your spokes click it on and hey presto you have a brilliant bicycle lighting. You then have the choice of a constant or a rapidly flashing coloured light. We kind of prefer the constant light on a purely aesthetic level – cycling at the right speed produces that lovely ring of light effect. Of course it’s more about staying visible on the roads than looking like an extra from Blade Runner but there’s no harm in looking cool. The batteries last for ages and installation only takes a few seconds so why not get your hands on one of these funky rear lamp accessories – keeping you safe while you brave the roads in the dark. Features: Bike SpokeLit safety light for cyclists. Simply clip it to the spokes and turn it on before you start cycling The light will either hold a steady glow or flash rapidly to make you as visible as possible in the dark Colours may vary: red blue or green Easy to operate (not whilst in motion unless you fancy losing your fingers down the nearest drain) Suitable for ages 8 years + Size: 12 x 3.5 x 2.5cm

  • Gift – Gadgets

Price : £ 9.99

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Bike SpokeLit

Posted by Notcot on Aug 24, 2012 in Gadgets
Bike SpokeLit

Because we’re all such environmentally friendly and health-conscious sorts (why are you looking at us like that?) cycling about the place is second nature. The resulting safety implications particularly visibility are an important consideration as anyone who’s nearly been squished between two London buses will tell you. The SpokeLit bike light is a fantastic and simple way to ensure you don’t get knocked off (not in the mafia way obviously). All you have to do is clip the SpokeLit to your spokes click it on and hey presto you have a brilliant bicycle lighting. You then have the choice of a constant or a rapidly flashing coloured light. We kind of prefer the constant light on a purely aesthetic level – cycling at the right speed produces that lovely ring of light effect. Of course it’s more about staying visible on the roads than looking like an extra from Blade Runner but there’s no harm in looking cool. The batteries last for ages and installation only takes a few seconds so why not get your hands on one of these funky rear lamp accessories – keeping you safe while you brave the roads in the dark. Features: Bike SpokeLit safety light for cyclists. Simply clip it to the spokes and turn it on before you start cycling The light will either hold a steady glow or flash rapidly to make you as visible as possible in the dark Colours may vary: red blue or green Easy to operate (not whilst in motion unless you fancy losing your fingers down the nearest drain) Suitable for ages 8 years + Size: 12 x 3.5 x 2.5cm

  • Gift – Gadgets

Price : £ 9.99

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Future Noir: The Making of Blade Runner

Posted by Notcot on Jun 3, 2010 in Noir

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Blade Runner

Posted by Notcot on Apr 25, 2010 in Cult Film

Average Rating: 5.0 / 5 (10 Reviews)

Amazon.co.uk Review
When Ridley Scott’s cut of Blade Runner was finally released in 1993, one had to wonder why the studio hadn’t done it right the first time–11 years earlier. This version is so much better, mostly because of what’s been eliminated (the ludicrous and redundant voice-over narration and the phoney happy ending) rather than what’s been added (a bit more character development and a brief unicorn dream that drops a big hint about Deckard’s origins). Star Harrison Ford originally recorded the narration under duress at the insistence of Warner Bros. executives who thought the story needed further “explanation”; he later confessed that he thought if he did it badly they wouldn’t use it. (Moral: never overestimate the taste of movie executives.) The movie’s spectacular futuristic vision of Los Angeles–a perpetually dark and rainy metropolis that’s the nightmare antithesis of “Sunny Southern California”–is still its most seductive feature, another worldly atmosphere in which you can immerse yourself. The movie’s shadowy visual style, along with its classic private-detective/murder-mystery plot line (with Ford on the trail of a murderous android, or “replicant”), makes Blade Runner one of the few science fiction pictures legitimately to claim a place in the film noir tradition. And, as in the best noir, the sleuth discovers a whole lot more (about himself and the people he encounters) than he anticipates. The cast also includes Sean Young, Edward James Olmos, Daryl Hannah Rutger Hauer and M. Emmet Walsh. –Jim Emerson, Amazon.com

In the Box Set: It is a fitting testament to Blade Runner‘s enduring appeal that it should receive the red-carpet box set treatment in this Collector’s Edition, which represents a sizeable outlay not least in terms of shelf space. The chunky black box (about the size of the yellow pages) houses a slide-out tray containing the DVD, eight original lobby cards an original one-sheet movie poster, the draft shooting script and a movie image card with the corresponding 35mm film frame attached. As with all such sets the whole is rapidly diminished by removing its parts, presenting the dilemma of whether to mount the poster and pictures, or leave them pristine but unseen in their original state.

The DVD included contains Ridley Scott’s director’s cut version of the film, but offers no new features or commentaries which would have added considerably to the set’s desirability. The original draft shooting script by Hampton Fancher and David Peoples does, however, provide some fascinating insights in its moments of departure from the version that was finally filmed. Perhaps the most compelling example is Deckard’s final, decisive contribution to the “is he or isn’t he” debate: “I knew it on the roof that night. We were bothers, Roy Batty and I! Combat models of the highest order. We had fought in wars not yet dreamed of in vast nightmares still unnamed. We were the new people … Roy and me and Rachael! We were made for this world. It was ours!” –Steve Napleton

Blade Runner

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