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Thousands of pages of classic Gothic are collected in this large Kindle collection. An active table of contents is included to make it easy to navigate to the work you are looking for.

Authors and works include:

Ann Radcliffe
The Italian

Bram Stoker
Dracula
The Lair of the White Worm

Charles Brockden Brown
Wieland

Charlotte Bronte
Jane Eyre
Villette

Edgar Allan Poe
The Fall of the House of Usher
The Tell-Tale Heart

Edith Wharton
Afterward

Emily Bronte
Wuthering Heights

Frederick Marryat
The Phantom Ship

Gaston Leroux
The Phantom of the Opera

Henry James
The Turn of the Screw

John Polidori
The Vampyre

Joseph Sheridan Le Fanu
Carmilla

Mary Wollstonecraft Shelley
Frankenstein

Matthew Gregory Lewis
The Monk

Nathaniel Hawthorne
House of the Seven Gables
The Minister’s Black Veil
Young Goodman Brown

Robert Louis Stevenson
The Strange Case of Dr. Jekyll and Mr. Hyde

Theophile Gautier
The Mummy’s Foot

Victor Hugo
The Hunchback of Notre Dame

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Invero Replacement Blackberry Micro Mains Charger for 8900 Curve, 8520 Curve, 9300 Curve 3G, 9700 Bold, 9105 Pearl 2, 9100 Pearl 2, 9520 Storm 2

• Black 3 Pin UK Plug – Connection: Micro USB
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• Please note this is a generic item and is exclusively sold by Invero Ltd

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In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.

The Stranger, according to Orson Welles, “is the worst of my films. There is nothing of me in that picture”. But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he’s living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn’t wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive–and if there was one thing Welles could never play, it was unobtrusive. Still, the film’s far from a write-off. Welles’ eye for stunning visuals rarely deserted him and, aided by Russell Metty’s skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever.

On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp

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