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Film Noir: An Encyclopaedic Reference Guide
Posted by Notcot on Apr 6, 2010 in Noir
Crime Scenes: Movie Poster Art of the Film Noir – the Classic Period – 1941-1959
Posted by Notcot on Apr 6, 2010 in Noir
The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir: White Masculinity and Urban Space in Hardboiled Fiction and Film Noir
Posted by Notcot on Apr 6, 2010 in Noir
Somewhere in the Night: Film Noir and the American City
Posted by Notcot on Apr 6, 2010 in Noir
The Dark Side of the Screen: Film Noir
Posted by Notcot on Apr 6, 2010 in Noir
The Little Black and White Book of Film Noir: Quotations from Films of the 40s and 50s
Posted by Notcot on Apr 6, 2010 in Noir
In a Lonely Street: Film Noir, Genre, Masculinity
Posted by Notcot on Apr 5, 2010 in Noir
Le Film Noir : Vrais et faux cachemars
Posted by Notcot on Apr 5, 2010 in Noir
San Francisco Noir: The City in Film Noir from 1940 to the Present
Posted by Notcot on Apr 5, 2010 in Noir
Tremors
Posted by Notcot on Apr 5, 2010 in Cult Film
Amazon.co.uk Review
Tremors didn’t actually break any new ground (even though its tunnelling worm monsters certainly did), but it revved up the classic monster-movie formulas of the 1950s with such energetic enthusiasm and humour that it made everything old seem new again. It’s also got a cast full of enjoyable actors who clearly had a lot of fun making the film, and director Ron Underwood strikes just the right balance of comedy and terror as a band of small-town rednecks battles a lot of really nasty-looking giant worms. The special effects are great, the one-liners fly fast and furious between heroes Kevin Bacon and Fred Ward (and yes, that’s country star Reba McEntire packin’ awesome firepower), and it’s all done with the kind of flair one rarely associates with goofy monster flicks like this. –Jeff Shannon, Amazon.com