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I first saw this movie in the 70s as a double bill with “The Rocky Horror Picture Show”, which was the film I actually went to see. I’d never heard of “Phantom” before, but enjoyed it far more than “TRHPS”. The movie is best described as a black comedy/theatrical rock/horror/fantasy, you’ll see what I mean. Based loosely around the “Phantom Of The Opera” story and the legend of “Faust”, but in a modern (70’s) rock setting. Directed by the now legendary Brian De Palma, he brings excellent performances from Paul Williams (deminutive American singer/songwriter, best known in the UK for the “Bugsy Malone” score) as the villan, Gerrit Graham as the brilliantly camp character “Beef”, and William Finley as the “Phantom” (how anyone can convey such emotion with just one eye showing still amazes me). De Palma also uses his split screen technique to good effect. Looks very dated, but apparently a cult classic now (I thought it was just me). This is a movie you’ll love or hate. Definately different. Hope this was helpful to you.
Rating: 5 / 5
If you have slipped upon this out of curiousity make sure you click and buy it now. Featuring tremendous direction, great performances and superb songs this is the movie Rocky Horror wishes it was. Great fun
Rating: 4 / 5
Great film, great soundtrack (be wary of the CD though, see my review on that) A brilliant satire on the Rock industry mixed with a touch of Phantom of the Opera and possibly just a nod to The Rocky Horror Show. Well worth buying for “Beefs” antics alone.
Rating: 5 / 5
I’d recommend the Phantom of the Paradise for any fan of glam, goth, 70s rock excess, the music industry in general, De Palma’s films, sophisticated pop harmony, horror, Paul Williams, or just good movies that are a bit different. In many ways it’s like a cross between Body Double and Rocky Horror, retaining the best traits of both. Williams’ songwriting is very interesting, much better than his more famous songs for Bugsy Malone, The Muppets, Streisand, or The Carpenters. It’s a much overlooked treasure of music, dark humor, and decadence.
Phantom of the Paradise is also a must-see for fans of Stevie Wonder or of electronic instruments. Bob Margouleff and Malcolm Cecil’s legendary modular synthesizer T.O.N.T.O. (“The Original Neo-Timbral Orchestra”), which they used for all of Wonder’s albums from 1972-75, makes a guest appearance as the instrument the Phantom uses in his suite. It’s a beautiful instrument visually, as well as aurally, and it’s nice to see someone actually playing it.
Rating: 4 / 5