Amazon.co.uk Review
Arguably the greatest black comedy ever made, Stanley Kubrick’s cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with “the purity of precious bodily fluids,” mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called “Doomsday Device,” and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about “acceptable losses.” With dialogue (“You can’t fight here! This is the war room!”) and images (Slim Pickens’ character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick’s film regularly appears on critics’ lists of the all-time best. –Jeff Shannon, Amazon.com –This text refers to another version of this video.

Dr. Strangelove

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Amazon.co.uk Review
Arguably the greatest black comedy ever made, Stanley Kubrick’s cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with “the purity of precious bodily fluids,” mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called “Doomsday Device,” and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about “acceptable losses.” With dialogue (“You can’t fight here! This is the war room!”) and images (Slim Pickens’ character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick’s film regularly appears on critics’ lists of the all-time best. –Jeff Shannon, Amazon.com –This text refers to another version of this video.

Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb

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Product Description
Australia released, PAL/Region 0 DVD: LANGUAGES: French ( Dolby Digital 2.0 ), English ( Subtitles ), WIDESCREEN (1.66:1), SPECIAL FEATURES: Commentary, Interactive Menu, Scene Access, SYNOPSIS: Subversive Italian satirist Marco Ferreri directed and co-wrote (with Rafael Azcona) this grotesquely amusing French black comedy about four men who grow sick of life, and so meet at a remote villa with the goal of literally eating themselves to death. The quartet comes from various walks of life — a pilot (Marcello Mastroianni), a chef (Ugo Tognazzi), a television host (Michel Piccoli), and a judge (Philippe Noiret) — but all are successful men with excessive appetites for life’s pleasures (food is used as mere metaphor here, as graphic as that metaphor becomes). SCREENED/AWARDED AT: Cannes Film Festival,

La Grande Bouffe

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Amazon.co.uk Review
You’d think a black comedy about murder, tackiness, and sexual perversion would quickly become dated, but Eating Raoul (1982) feels surprisingly fresh and delightful. When Mary Bland (Mary Woronov) gets assaulted by one of the repulsive swingers from the neighbouring apartment, her husband Paul (Paul Bartel) rescues her with a swift blow from a frying pan–only to discover a substantial wad of cash in the swinger’s wallet. A lure-and-kill scheme follows, which nicely fills their nest egg until a slippery thief named Raoul (Robert Beltran of Star Trek: Voyager, making his film debut) stumbles onto the truth and insists on getting a share. When Raoul starts demanding a share of Mary as well, Paul has to take drastic steps. The key to Eating Raoul isn’t the sensational content, but the blithe, matter-of-fact attitude Bartel and Woronov take to it; their sly underplaying makes the movie sparkle with wicked wit. –Bret Fetzer

Eating Raoul

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