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T3 Solar Robot Kit

Posted by Notcot on Jun 13, 2012 in Gadgets
T3 Solar Robot Kit

Much like our 6 in 1 Solar Powered Robot this T3 Robot harnesses the power of the sun to make your day that little bit more interesting. Unlike the rather cutesy 6 in 1 however the T3 takes a slightly more aggressive stance – once you’ve built it you can turn it into either a tank a scorpion or a standard robot (we’re not sure there’s such a thing as a standard robot but there we are). And if those three different guises aren’t enough for you then well you’re just no fun are you? What’s not to like about a solar-powered scorpion that waddles across your desk like some mechanised arthropod? That’s right – nothing. Being a solar-powered robot or tank or scorpion the T3 requires no batteries whatsoever just a healthy glare of sunshine. Or given the notoriety of our island’s native climate a functioning light bulb. It’s a great little gizmo for keeping on your desk and even better for kids who take an interest how things work. Piecing the thing together in the first place is a rewarding task to complete and once that’s finished the fun really begins. Ingenious design and an eco-friendly message – what could be better for kids and grown-ups alike?

  • Gift – Toys

Price : £ 9.99

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I Spit On Your Grave

Posted by Notcot on May 23, 2010 in Cult Film

Average Rating: 3.0 / 5 (32 Reviews)

Amazon.co.uk Review
I Spit on Your Grave, writer-director Meir Zarchi’s controversial story of rape and revenge, has lost none of its ability to shock viewers since it first gained notoriety in 1978. Camille Keaton (grand-niece of Buster Keaton and, later, Zarchi’s wife) stars as a young woman who is terrorised and then brutally assaulted by four men while on vacation. After slowly pulling herself together, she methodically tracks down and butchers each of the perpetrators. Zarchi’s film has been consistently accused of celebrating violence against women, and while the rape scenes are graphic, they also lack the voyeuristic qualities that earmark other similarly plotted exploitation films. If anything, Zarchi is guilty of awkward scripting; the dialogue is leaden, and Keaton’s transformation from victim to avenger is too swift. But to label him a pornographer is wrong, and while the film is challenging–perhaps more than most audiences can bear–its depiction of the psychology of violence is undeniably powerful. –Paul Gaita

I Spit On Your Grave

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