It’s hard to imagine how shocking this film was when it first broke on the film scene in 1968. There’s never been anything quite like it, though it’s inspired numerous pale imitations. Part of the terror lies in the fact that this one’s shot in such a raw, unadorned fashion it feels like a home movie, and all the more authentic for that. Another is that it draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we could hardly have anticipated. The story is simple. Radiation from a fallen satellite has caused the dead to walk and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse to fend off the inevitable onslaught of the dead. And it’s the tensions between the members of this unstable, makeshift community that drive the film. Night of the Living Dead establishes its savagery as a necessary condition of life. Marked by fatality and a grim humour, it gnaws through to the bone, then proceeds on to the marrow.–Jim GayGeorge Romero’s classic 1968 zombie-fest Night of the Living Dead (shot in black and white) offers some disturbing images, even decades later. In a Pittsburgh suburb people are being stalked by zombies ravenous for human flesh. In a house whose occupant has already been slain, two separate groups of people unite and board themselves in, hoping to fend off the advancing ghouls. Through radio and TV reports they learn that radiation from outer space is thought to be responsible for the wave of zombie attacks all over the eastern United States. Once the humans are trapped, Romero shifts the focus to the internal feuding between them as they decide how to handle their dreadful situation. What unfolds is an examination of human nature, and of the fear and selfishness that keep many citizens from getting involved in the world’s problems. Appropriately, both the zombies, and the authorities who later hunt them, are equally soulless. This film could also be read as a criticism of white males–it is not merely a coincidence that the film’s two most rational, constructive characters are a woman and a black man. It is also no coincidence that the sequel Dawn of the Dead (1978) takes place in a mall infested by the undead–a perfect analogy for consumer culture. –Bryan Reeseman, Amazon.com

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Sony DSC-W320 Cyber-Shot Digital Camera 14.1MP 4x Optical Zoom 2.7 inch LCD (Pink)

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Sony DSCW320P Cyber-shot Digital Camera – Pink (14.1 MP, 4x Optical Zoom) 2.7 inch LCD <- Read More

Product Description
Sandisk 2GB ULTRA Compact Flash CardFor serious amateurs and professional photographers, SanDisk Ultra CompactFlash is the answer. So fast, you’ll never miss a shot again. When the shooting turns fast and furious, serious photographers turn to SanDisk Ultra CompactFlash. So fast, you’re always ready for the next shot. So rugged, environmental conditions are never a problem. So well built that it’s backed by SanDisk’s lifetime limited warranty. When every shot counts, choose SanDisk Ultra CompactFlash.

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Product Description
VMC-MD1 USB Cable Lead for SONY Cyber-Shot DSC-F88, DSC-G3, DSC-H3, DSC-H7, DSC-H9, DSC-H10, DSC-H50, DSC-N1, DSC-N2, DSC-P100, DSC-P120, DSC-P150, DSC-P200, DSC-T2, DSC-T5, DSC-T9, DSC-T10, DSC-T20, DSC-T30, DSC-T50, DSC-T70, DSC-T77, DSC-T90, DSC-T100, DSC-T200, DSC-T300, DSC-T700, DSC-TX1, DSC-W55, DSC-W80, DSC-W85, DSC-W90, DSC-W110, DSC-W120, DSC-W130, DSC-W150, DSC-W170, DSC-W200, DSC-W300, DSC-W370, DSC-WX1 Digital Camera

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Amazon.co.uk Review
Of all the Philip Marlowes, Robert Mitchum’s in Farewell, My Lovely resonates most deeply. That’s because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler’s legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum’s renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he’s disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) –Bill Desowitz, Amazon.com

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• Sony DSC-S930B Cyber Shot Digital Camera – Black

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